![]() So, in celebration of its 30th anniversary, let’s take a look at the cast of Boomerang – then and now. By Meredith Berkman Updated Jat 04:00 AM EDT. ![]() Since its release, the film’s cast has won several awards collectively, impacted popular culture, and dominated various facets of the entertainment industry. Eddie Murphy in Boomerang - The romantic comedy is the actors first film since the 1990 sequel Another 48 HRS. The chart-topping album was RIAA-certified gold in August 1992 and eventually reached triple-platinum status three years later. Most of the film’s main characters were financially successful, further proving that people of color were not monolithic, and that big budget films could be made without showing Black people as impoverished or struggling to get by.īoomerang’s soundtrack became almost as iconic as the film itself, containing some of the era’s hits such as “Give U My Heart,” “Love Shoulda Brought You Home,” and the timeless ballad “ End of the Road,” by Boyz II Men. Released on June 28, 1992, what made Boomerang most special was not its comedic genius, but Murphy and Hudlin’s portrayal of African Americans of affluence. In what becomes a lesson in self-evaluation, Graham learns the meaning of true love in a journey filled with dozens of funny moments between friends, partners, and colleagues.Īlongside Murphy and Givens, the movie is packed with a star-studded cast that included Halle Berry, Martin Lawrence, Chris Rock, David Alan Grier, Tisha Campbell, John Witherspoon, Lela Rochon, Grace Jones, and Eartha Kitt. Throughout Boomerang, he takes and breaks the hearts of several women, but meets his match in Jacqueline Boyer – played by Robin Givens – who ultimately gives him a taste of his own medicine. The film chronicled the life and career of successful advertising executive Marcus Graham, a man known to seduce women but unwilling to commit until he finds one that he deems as perfect. Love-em-and-leave-em executive Eddie Murphy gets a dose of his own medicine in this sassy romantic comedy. ![]() Directed by Reginald Hudlin, the film put a modern and stylish twist on the classic phrase – “what goes around, comes around.” It’s unfortunate that he could not appreciate the witty performances of Eddie Murphy and the rest of the cast, but he can refer to Time and Newsweek, among others, for insight on why the film works for everyone else.Today marks 30 years since the release of the hilarious Eddie Murphy comedy, Boomerang. When Eddie Murphy made “Coming to America” with a white director, no one complained about its predominately black cast.Īlthough Woody Allen makes films that have an unnatural racial skew, both Eddie Murphy and I can see past that and enjoy a movie like “Annie Hall.” Too bad Turan could not overcome his prejudices and enjoy our film.įortunately, audiences across the country are not encumbered by the same racial hangups as Turan and turned “Boomerang” into a hit film. Boomerang is a romantic comedy revolving around the lives of successful black people who work for a successful black company. Those who consider the setting of “Boomerang” a fantasy should look no further than the successful black companies behind the camera: Eddie Murphy Productions, based in Los Angeles Hudlin Bros., based in New York, and LeFace Records, based in Atlanta.īut perhaps the black presence behind the camera is the root of the problem. Yet no one takes them to task for an inaccurate portrayal of “typical” white people. Looking at films like “Ghost” and “Housesitter,” you’d never know that the majority of people on welfare are white. But portraits of black middle-class lifestyles, like “The Cosby Show” and “Boomerang,” are considered unrealistic. When a film like “House Party” or “Boyz N the Hood” has a predominately black cast, there aren’t complaints about not seeing enough white people.
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